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1 copper etching
freeze etching — замораживание — травление
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2 copper etching
Полиграфия: офорт на меди, травление медных клише, медное клише -
3 copper etching
(poligr) gravarea chimică a cuprului -
4 copper etching
1) медное клише2) офорт на меди3) травление медных клишеАнгло-русский словарь по полиграфии и издательскому делу > copper etching
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5 etching
1. травление2. гравирование3. гравюра; офорт4. клише5. удаление незадубленного копировального слоя6. цветокорректирующее травление7. ретушь ослаблениемdry dot etching system — «сухая» корректура, «сухая» ретушь
8. медное клише9. офорт на меди10. травление медных клишеcounter-etching — декапирование, травление для удаления плёнки оксидов
dry etching — «сухое» травление
11. гравирование сухой иглой12. гравюра, выполненная способом «сухая игла»13. затравка14. ослабление15. травление растровых клишеfreeze etching — замораживание — травление
16. растровое клише17. травление штриховых клише18. штриховое клишеsoft ground etching — гравюра, изготовленная способом «мягкий лак»
splash etching — травление набрызгиванием ; струйное травление
19. чистое травление20. травление светлых участковfreeze etching method — метод замораживания — травления
21. травление цинковых клише22. штриховое цинковое травление -
6 etching
1) травление2) гравирование3) гравюра; офорт4) клише5) удаление незадубленного копировального слояАнгло-русский словарь по полиграфии и издательскому делу > etching
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7 etching
nounÄtzung, die; (piece of art) Radierung, die* * *etch·ing[ˈetʃɪŋ]n* * *['etʃɪŋ]ncome up and see my etchings (hum) — wollen Sie noch mit heraufkommen und sich (dat) meine Briefmarkensammlung ansehen? (hum)
* * *etching s1. Ätzen n:etching bath Ätzbad n2. a) Radieren n:etching needle Radiernadel fb) Kupferstechen n3. a) Radierkunst fb) Kupferstecherei f4. a) Radierung fb) Kupferstich m:come up and see my etchings euph hum wollen Sie sich meine Briefmarken(sammlung) ansehen?* * *nounÄtzung, die; (piece of art) Radierung, die* * *n.Radierkunst f.Radierung f. -
8 etching
etch·ing [ʼetʃɪŋ] n -
9 halftone etching
English-Russian big polytechnic dictionary > halftone etching
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10 line etching
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11 relief etching
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12 reverse etching
English-Russian big polytechnic dictionary > reverse etching
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13 Chapman, Frederik Henrik af
SUBJECT AREA: Ports and shipping[br]b. 9 September 1721 Gothenburg, Swedend. 19 August 1808 Karlskrona, Sweden[br]Swedish naval architect and shipbuilder; one of the foremost ship designers of all time.[br]Chapman was born on the west coast of Sweden and was the son of a British naval officer serving in the Swedish Navy. In 1738 he followed in his father's footsteps by joining the naval dockyards as a shipbuilding apprentice. Subsequent experience was gained in other shipyards and by two years (1741–3) in London. His assiduous note taking and study of British shipbuilding were noticed and he was offered appointments in England, but these were refused and he returned to Sweden in 1744 and for a while operated as a ship repairer in partnership with a man called Bagge. In 1749 he started out on his own. He began with a period of study in Stockholm and in London, where he worked for a while under Thomas Simpson, and then went on to France and the Netherlands. During his time in England he learned the art of copper etching, a skill that later stood him in good stead. After some years he was appointed Deputy Master Shipwright to the Swedish Navy, and in 1760 he became Master Shipwright at Sveaborg (now Suomenlinna), the fortress island of Helsinki. There Chapman excelled by designing the coastal defence or skerry fleet that to this day is accepted as beautiful and fit for purpose. He understood the limitations of ship design and throughout his life strove to improve shipbuilding by using the advances in mathematics and science that were then being made. His contribution to the rationalization of thought in ship theory cannot be overemphasized.In 1764 he became Chief Shipbuilder to the Swedish Navy, with particular responsibility for Karlskrona and for Stockholm. He assisted in the new rules for the classification of warships and later introduced standardization to the naval dockyards. He continued to rise in rank and reputation until his retirement in 1793, but to the end his judgement was sought on many matters concerning not only ship design but also the administration of the then powerful Swedish Navy.His most important bequest to his profession is the great book Architectura Navalis Mercatoria, first published in 1768. Later editions were larger and contained additional material. This volume remains one of the most significant works on shipbuilding.[br]Principal Honours and DistinctionsKnighted 1772. Rear Admiral 1783, Vice-Admiral 1791.Bibliography1768, Architecture Navalis Mercatoria; 1975, pub. in English, trans. Adlard Coles. 1775, Tractat om Skepps-Buggeriet.Further ReadingD.G.Harris, 1989, F.H.Chapman, the First Naval Architect and His Work, London: Conway (an excellent biography).FMWBiographical history of technology > Chapman, Frederik Henrik af
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14 machine
1) машина2) станок || подвергать механической обработке3) установка; устройство; агрегат4) механизмАнгло-русский словарь по полиграфии и издательскому делу > machine
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15 гравюра
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16 bath
1) ванна; электролит; раствор2) бакАнгло-русский словарь по полиграфии и издательскому делу > bath
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17 bath
1. ванна; электролит; раствор2. бакacid bath — кислая ванна; кислый электролит
acid fixing bath — кислый фиксаж, кислый фиксирующий раствор
corrosive bath — травящий раствор; травильная ванна
etching bath — травящий раствор; травильная ванна
fixing bath — фиксаж, фиксирующий раствор
galvanic bath — гальваническая ванна, гальванованна
hardener bath — раствор для дубления, дубящий раствор
hypo bath — раствор гипосульфита, фиксаж, фиксирующий раствор
intensifying bath — усилитель, раствор усилителя
nonacid fixing bath — простой фиксаж, простой фиксирующий раствор
pickling bath — травящий раствор; травильная ванна
plain hypo bath — простой фиксаж, простой фиксирующий раствор
3. подготовительная ванна4. предварительное травлениеrapid fixing bath — быстрый фиксаж, быстрый фиксирующий раствор
reducing bath — ослабитель, раствор ослабителя
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18 Berliner, Emile
SUBJECT AREA: Recording[br]b. 20 May 1851 Hannover, Germanyd. 3 August 1929 Montreal, Canada[br]German (naturalized American) inventor, developer of the disc record and lateral mechanical replay.[br]After arriving in the USA in 1870 and becoming an American citizen, Berliner worked as a dry-goods clerk in Washington, DC, and for a period studied electricity at Cooper Union for the Advancement of Science and Art, New York. He invented an improved microphone and set up his own experimental laboratory in Washington, DC. He developed a microphone for telephone use and sold the rights to the Bell Telephone Company. Subsequently he was put in charge of their laboratory, remaining in that position for eight years. In 1881 Berliner, with his brothers Joseph and Jacob, founded the J.Berliner Telephonfabrik in Hanover, the first factory in Europe specializing in telephone equipment.Inspired by the development work performed by T.A. Edison and in the Volta Laboratory (see C.S. Tainter), he analysed the existing processes for recording and reproducing sound and in 1887 developed a process for transferring lateral undulations scratched in soot into an etched groove that would make a needle and diaphragm vibrate. Using what may be regarded as a combination of the Phonautograph of Léon Scott de Martinville and the photo-engraving suggested by Charles Cros, in May 1887 he thus demonstrated the practicability of the laterally recorded groove. He termed the apparatus "Gramophone". In November 1887 he applied the principle to a glass disc and obtained an inwardly spiralling, modulated groove in copper and zinc. In March 1888 he took the radical step of scratching the lateral vibrations directly onto a rotating zinc disc, the surface of which was protected, and the subsequent etching created the groove. Using well-known principles of printing-plate manufacture, he developed processes for duplication by making a negative mould from which positive copies could be pressed in a thermoplastic compound. Toy gramophones were manufactured in Germany from 1889 and from 1892–3 Berliner manufactured both records and gramophones in the USA. The gramophones were hand-cranked at first, but from 1896 were based on a new design by E.R. Johnson. In 1897–8 Berliner spread his activities to England and Germany, setting up a European pressing plant in the telephone factory in Hanover, and in 1899 a Canadian company was formed. Various court cases over patents removed Berliner from direct running of the reconstructed companies, but he retained a major economic interest in E.R. Johnson's Victor Talking Machine Company. In later years Berliner became interested in aeronautics, in particular the autogiro principle. Applied acoustics was a continued interest, and a tile for controlling the acoustics of large halls was successfully developed in the 1920s.[br]Bibliography16 May 1888, Journal of the Franklin Institute 125 (6) (Lecture of 16 May 1888) (Berliner's early appreciation of his own work).1914, Three Addresses, privately printed (a history of sound recording). US patent no. 372,786 (basic photo-engraving principle).US patent no. 382,790 (scratching and etching).US patent no. 534,543 (hand-cranked gramophone).Further ReadingR.Gelatt, 1977, The Fabulous Phonograph, London: Cassell (a well-researched history of reproducible sound which places Berliner's contribution in its correct perspective). J.R.Smart, 1985, "Emile Berliner and nineteenth-century disc recordings", in WonderfulInventions, ed. Iris Newson, Washington, DC: Library of Congress, pp. 346–59 (provides a reliable account).O.Read and W.L.Welch, 1959, From Tin Foil to Stereo, Indianapolis: Howard W.Sams, pp. 119–35 (provides a vivid account, albeit with less precision).GB-N -
19 Senefelder, Alois
SUBJECT AREA: Paper and printing[br]b. 6 November 1771 Prague, Bohemia (now Czech Republic)d. 26 February 1834 Munich, Germany[br]German inventor of lithography.[br]Soon after his birth, Senefelder's family moved to Mannheim, where his father, an actor, had obtained a position in the state theatre. He was educated there, until he gained a scholarship to the university of Ingolstadt. The young Senefelder wanted to follow his father on to the stage, but the latter insisted that he study law. He nevertheless found time to write short pieces for the theatre. One of these, when he was 18 years old, was an encouraging success. When his father died in 1791, he gave up his studies and took to a new life as poet and actor. However, the wandering life of a repertory actor palled after two years and he settled for the more comfortable pursuit of playwriting. He had some of his work printed, which acquainted him with the art of printing, but he fell out with his bookseller. He therefore resolved to carry out his own printing, but he could not afford the equipment of a conventional letterpress printer. He began to explore other ways of printing and so set out on the path that was to lead to an entirely new method.He tried writing in reverse on a copper plate with some acid-resisting material and etching the plate, to leave a relief image that could then be inked and printed. He knew that oily substances would resist acid, but it required many experiments to arrive at a composition of wax, soap and charcoal dust dissolved in rainwater. The plates wore down with repeated polishing, so he substituted stone plates. He continued to etch them and managed to make good prints with them, but he went on to make the surprising discovery that etching was unnecessary. If the image to be printed was made with the oily composition and the stone moistened, he found that only the oily image received the ink while the moistened part rejected it. The printing surface was neither raised (as in letterpress printing) nor incised (as in intaglio printing): Senefelder had discovered the third method of printing.He arrived at a workable process over the years 1796 to 1799, and in 1800 he was granted an English patent. In the same year, lithography (or "writing on stone") was introduced into France and Senefelder himself took it to England, but it was some time before it became widespread; it was taken up by artists especially for high-quality printing of art works. Meanwhile, Senefelder improved his techniques, finding that other materials, even paper, could be used in place of stone. In fact, zinc plates were widely used from the 1820s, but the name "lithography" stuck. Although he won world renown and was honoured by most of the crowned heads of Europe, he never became rich because he dissipated his profits through restless experimenting.With the later application of the offset principle, initiated by Barclay, lithography has become the most widely used method of printing.[br]Bibliography1911, Alois Senefelder, Inventor of Lithography, trans. J.W.Muller, New York: Fuchs \& Line (Senefelder's autobiography).Further ReadingW.Weber, 1981, Alois Senefelder, Erfinder der Lithographie, Frankfurt-am-Main: Polygraph Verlag.M.Tyman, 1970, Lithography 1800–1950, London: Oxford University Press (describes the invention and its development; with biographical details).LRD -
20 plate
1. n тарелка2. n блюдо3. n еда на одного человекаthe dinner will cost $10 a plate — ужин обойдётся по 10 долларов с человека
4. n тарелка для сбора пожертвований5. n разг. пожертвованные деньги6. n столовое серебро; металлическая посудаthe family plate included … — среди фамильного серебра были …
7. n посеребрённая или позолоченная посудаthe knives are plate, not solid silver — это не серебряные, а посеребрённые ножи
8. n плита, лист, полоса; листовая сталь9. n воен. броня, обшивка10. n листовое или зеркальное стекло11. n пластинка, дощечка12. n дощечка с фамилиейswash plate — диск, насаженный на ось не под прямым углом
13. n номерной знак14. n ист. пластина рыцарских доспехов15. n анат. зоол. пластинка; чешуйка16. n фотопластинка17. n вклейка; иллюстрация на отдельном листе18. n гравюра, эстамп19. n полигр. гальваноклише; стереотип20. n полигр. печатная формаtension lock-up plate — печатная форма, закрепленная натягом
21. n оттиск22. n модно одетая женщина, «модная картинка»fashion plate — модная картинка; страничка мод
23. n хорошенькая женщина24. n вставная челюсть25. n зубной протез26. n грудная часть туши27. n разг. ноги28. n ист. драгоценный металл29. n ист. серебряная монета30. n ист. геральд. серебряный круг, кружок31. n спорт. призовой кубок32. n спорт. скачки на кубок33. n спорт. лёгкая подкова34. n спорт. базаhome plate — основная база, место игрока с битой
35. n эл. амер. анод36. n эл. электрод37. n эл. обкладка38. n эл. стр. мауэрлат39. n эл. элк. плата40. n эл. геол. тектоническая плита41. n эл. предметное стеклоplate glass — зеркальное стекло; толстое листовое стекло
42. n эл. график работы43. n эл. хим. плоскодонная чашка Петри44. v тех. обшивать металлическим листом45. v метал. плакировать; металлизировать46. v метал. плющить; расковывать в листы47. v полигр. изготовлять гальваноклише или стереотип48. v электролитически осаждать, наносить гальваническим способомСинонимический ряд:1. course (noun) course; helping; meal; portion; second helping; service; serving2. dish (noun) casserole; china; dessert plate; dinner plate; dish; platter; salad plate; saucer; soup plate3. illustration (noun) cut; engraving; etching; illustration; impression; lithograph; photoengraving; print; woodcut4. sheet (noun) lamina; layer; leaf; pane; panel; plane; sheet; slice; stratum5. coat (verb) back; coat; cover; enamel; face; gild; laminate; overlay; veneer
См. также в других словарях:
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